I wrote this in
1989.
If only
literary lunches were like this.
‘Olga’ is Olga
Masters who died before realising her potential as a novelist.
‘Elizabeth’ is the
late Elizabeth Jolley.
‘Jill’ is Jill
Wran – then a literary agent to only the best and wife of ex Premier Neville
Wran whose delaying of the decriminilisation of male homosexuality in New South
Wales (1984) was scandalous.
As for the
others …
LUNCH WITH HELEN AND FRANK AND ELIZABETH
`Homosexuality
was a strange, romantic cult ... Sometimes I think I was lucky to have escaped.'
Frank Moorhouse quoted in Outrage.
Elizabeth got
to Place de l'Aus first, she'd caught the train.
She was admiring
the huge flower arrangements in the vases on the bar, they had something
haphazard about them. Was it the bottlebrushes? Slightly dusty from the bush?
Those mad lilies - gymea? raggedy.
No, she
wouldn't have a drink, she said to the waiter, a slim blond whom one could use,
the perfect type, she thought, for something. Just waiting?
It was at
moments like these, she thought on, one should smoke. She wondered if it were
more worse for you than good, under what circumstances, probably the number had
something to do with it but the woman next to her on a bus once had told her
she was going to her hairdresser's funeral: lung cancer and he never smoked or
drank and did exercises; his wife was distraught. That was the odd bit. But she
hadn't used that word had she? what word?
Really, it was
good being schizophrenic, not that this was schizo, one knew that, one had
tasted that. One had to have.
Frank came in
next. She saw him get out of the taxi outside, charging it and saying something
matey to the driver who was a vanished stereotype. The sort who said, `Lady, I
don't go that far for my holidays' but would drive Bea Miles to Melbourne. Oh,
she'd pretend she hadn't seen him, didn't know him. Let him handle it, he'd
been to the Gollan Heights, or whatever it was when he got stale or whatever it
was, hadn't he?
‘Yes,’ she
said.
He sat down and
said, ‘So she set you up with a piece of trendy Sydney, did she?’
He meant the
restaurant.
It was Jill.
Elizabeth had ignored her when she came in with Andrew Peacock. Oh well, she
wouldn't get this at the Fremantle Arts Centre. She wondered what sort of food
it was.
Frank waved
with ironic urbanity to Jill, and Andrew.
‘Is he writing
a book?’
‘Everyone's
writing a book. Probably about the pressure to conform.’ He chuckled.
Helen came in.
Clothes-wise,
Elizabeth thought.
Everyone took a
look but Elizabeth was already peering outside; so she'd come in a hire car, a
white stretch limo. Great. Great. She smiled. This was quite good.
They knew one
another.
The headwaiter
came over and welcomed Ms. Everyone was getting their money's worth today: Jill
and Helen. He wished Peter Carey was with them; who was that guy? knew him from
somewhere - where?
The waiter
turned up and said hullo to Ms and what did she want to drink?
Did they have
lite?
She was
probably writing that afternoon.
Frank made
searching enquiries about the beers and sent the glass back because it hadn't
been chilled and made the waiter take the bottle away because it'd gone off
while he was getting the glass chilled and he had to get another.
‘He's the type
that likes to obey, don't you think?’ he said by way of revealing something of
his capacity for insight.
Helen said
nothing.
Elizabeth
decided she wanted a gin and tonic or she would have to take one of those
headache tablets later on and they made your gut bleed or something.
Helen gave a
charming wave and smile to Jill, ignored whoever it was she was with. We all
have to make a living, or something, something. Who cared? She had to get back
to her hotel in Bondi. The guy next door was freaking out, or going to, on
something he'd bought in the bar and he had to play tonight at Selina's. He'd
said she could come along.
She mused over
a phrase from the lieder, Schumann. She was Schwarzkopf. Why didn't she have
one of those little headsets? What on earth were they here for? Why here? Why
did that woman set it up for here? Was she a sadist? Watching over there from
that public corner.
Elizabeth said,
‘Garçon!’ The eyebrows of the other
two shot up. Helen could get hers much higher than Frank.
‘Please take
the straw away.’
The other two
were aghast.
‘Democracy
gives, of the political forms which I can think of at the moment,’ she said, ‘the
most opportunity for sadistic play.’ Oh God, she was pissed off, how dare they
keep her waiting! anyone.
‘I haven't
really thought about it,’ Helen said, sitting up straight and wishing she'd
worn gloves.
Frank was
remembering it.
He didn't dare
do anything with the wines after that, ordered plain, straight and expensive.
‘I want to
talk. Let's get the business out of the way. Do you both want to be in it?
I think you can
trust something Don's set up and Jill's done her apprenticeship.’
It was,
Elizabeth decided, entirely unnecessary to say, in what?
‘I wouldn't
mind the exposure, to be frank. The Americans . . . ‘
‘Don was her
tutor at Sydney Uni in the sixties.’
Helen flinched.
How she loathed that expression.
‘Tell me,’
Elizabeth thought she'd better not let this get away from her, ‘how do you get
so much mileage? I know how you do,’ she said to Frank.
He was the
first to recover from his abusement, or was it that he wished to address that
and Helen wished to keep counsel with herself?
He laughed a
beer-softened throat laugh that he could even do without the beer when
threatened sufficiently. ‘How do I?’
‘Oh well, one
reads you . . . everywhere.’ Elizabeth's hand corkscrewed through the air.
Helen decided
she liked her enough to want to use the gesture herself.
The food.
Oysters. A dozen for him, half for her. Elizabeth had prosciutto but dragged it
off in shrivels to get at the melon, which was nice. Fortunately, she didn't
care anyhow, the gin was getting to her.
‘It seems a
good idea. It's reputable and there'd probably be an American reading or two out
of it. New York, of course.’
‘I do not wish
to tour America. At this juncture,’ Elizabeth said.
Helen tapped
the side of an oyster shell with her fork. She hoped this woman wasn't going to
turn out to be an old bitch. She wanted a mother, she ought to know that.
‘I do hope it's
alright?’ Elizabeth enquired in lucent tones. ‘We don't want you getting sick.
They wouldn't be from the harbour?’ she said sharply to Frank, giving Helen
what she wanted, slapping him around a bit too.
‘No. Oh no. Not
these days. I hope.’ He laughed his urbane chuckle.
‘It seems odd,
just three. It's not representative of . . . well, anything, is it? But it
suits me,’ Helen added hastily. ‘A third each. Three stories?’
‘Or two long
ones,’ Frank said, his eyes on Elizabeth.
‘I would want
to see what you two were putting in.’
‘I'm
scripting,’ Frank remembered to say.
‘Oh, what?’
‘Something
early. I - a few of us thought it'd come out well, make the move nicely.’
‘Like ‘The Coca
Cola Kid?’ Elizabeth said brightly.
Who was this? 'Look I don't think I need this. I've got a . . . ‘
Second course.
‘I remember
your marvellous line about a cold collation,’ Helen said to Elizabeth, eyeing
with some distrust the colourfully glazed chicken breast on her plate.
Elizabeth
smiled warmly over her grilled lobster. ‘Do you remember the grilled lobster in
that book?’
Helen nodded.
‘It was better
than this,’ she said.
They both
laughed.
Frank cut a
chunk of his smoked buffalo.
‘I wonder what
Patrick White's eating,’ Helen, who loved parlour games, said.
Then she got
away first. ‘Scrambled eggs in ham cornets, and he's dribbling – ‘
‘Manoli!’ Frank
roared with laughter.
‘Dog's balls,’
Elizabeth said when he'd subsided.
Oh, that's off,
he thought.
Helen shrieked.
‘Oh don't
dear,’ Elizabeth said.
‘So it looks as
though it's not on.’ Frank wasn't having this feminist collusion shit.
‘Oh.’
‘Then we can
just enjoy our lunch?’
But Frank
wasn't having that either.
Leonie came in.
‘Showing some
bankers around, I bet,’ Frank explained to the two women.
‘Don't you just
want to go up to her and say, the word is cunt. And you won't forget it, will
you?’
‘It'd turn them
all on,’ Helen nodded.
Elizabeth
wanted some decent sliced white bread, no butter. She simpered at the waiter
who ignored her. She got up and went over, ‘You don't want me calling you garç, do you?’ she said.
She got a bread
roll and decided to complain to Jill about it later.
‘I'd want Rose
and Jean in on it,’ Frank said.
Helen nodded.
‘I think I know
them,’ Elizabeth said.
‘Won't . . .
well what about the photographs. How . . . ?’
‘We'll get someone,
that can be got around.’ He was thinking of American money, Hollywood, that
cute kid in the film . . .
‘Who's . . .?’
Helen was less sure.
‘Diane Arbus is
dead. I think that one of you sitting, cross-legged on the bed is as good as an
Arbus.’ Elizabeth thought Helen would be pleased.
She wasn't.
‘We could -
we've got a guy here, a fucking Chinese prince - now, he could – ‘
‘No
photographs. Tacky.’
They ate for a
bit.
‘Awful wine,’
Elizabeth thought she owed it to something to start the conversation again
after slaying it.
‘Mine's O.K.’
Frank was doing well with the red.
‘It's alright
with the chicken.’ Which had no taste in any case. At least they hadn't
overdone the msg in the aspic, or the gelatine.
‘Well that's
settled then,’ Frank said, having devoured the buffalo.
‘It worries me
. . . ‘ Elizabeth said and the other two gave her their undivided attention, ‘that
there is so little representation of gay writing in Orestralia.’ She had, in
her intoxication (one gin, one wine) become royal. ‘I know you did your best in
the past Frank dear but, and let's face it . . .That nice Don in his nice
anthology - congrats dears, I was so pleased to see us all included in this
one.’ She gave Frank a dowager's ravishing smile; he squirmed as was intended.
‘But no gays. Helen, you - I've always . . . why aren't there ever any dykes in
your books? I mean, do you feel you've internalised the issue to the extent
that it's enacted without direct correlatives? In your writing.’
‘I do have
dykes. I'll have a whisky with my coffee. No, no dessert- pudding.’
‘A nice pear
dear.’ She ignored the waiter's
intrusive remonstrations.
‘Strega. And
coffee. Any chocolates?’
‘Oh, I know
that bit on St. Kilda beach but surely, hardly . . . ‘ Elizabeth lifted one
quizzical eyebrow. It was an expression worthy of Garbo: wise, tolerant, weary,
graceful.
Helen scratched
her neck. She'd buy some new earrings with this, rubies. And thank God she'd
put a stash of cassettes in her bag. This would obviously have to be a
Bach-on-the-bed afternoon. Why wasn't he, if he wasn't dead - that was another
way they had of nay-saying - why wasn't he a Maori? at least.
‘There was not,
as one reviewer I thought succinctly and truly put, one transgression in it.
Not one. That is of course . . . And how is Michael? One hears so little of him
- either from you or him lately.’
‘Oh, what are
ya?’ Frank said. ‘I put Gary in mine. He's in Rose's stables. She should be
here! Bloody Jill! All this fucking around. What is this? I thought we were
here to work out the parameters at least.’
‘Are there a
lot of Maoris in Sydney? I just thought I saw one go – ‘
‘Not in fucking
Balmain!’
‘I think too,
that they ought to import more. Too much Mediterranean is . . . ‘
The other two
looked at her.
‘Well look at
Carlton,’ Elizabeth said. ‘An infusion of the Pacific. And they make such
wonderful, such sure . . . gays, though the pallid New Zealander has not . . .
enough, don't you think?’
‘Oh
absolutely.’ Helen thought this woman was fucking marvellous.
‘Gary's on her
books. He's doing a treatment. What da ya mean? Gays?’
‘You are an
apostate.’ Elizabeth decided coffee would give her a headache. Ordered cognac.
Then coffee because she couldn't drink it by itself: only in alternate sips
with coffee. ‘The trouble is, you're supposed to sniff and - What do I mean?’
The restaurant stopped. ‘What do I mean? You were never one, so you can't be an
apostate. What were you? What were you? What happened to you and Michael? What
did? And the embassy?’ Her tones rang out very Ingrid Bergman.
Heavens she's
beautiful, Helen thought.
They drank,
sipped, sniffed on.
‘Well, it's
agreed,’ Frank sighed at last.
It was going to
be quite a trip with those two.
Before they
rose Elizabeth decided to make another fuss. After all, this was only Sydney,
nobody knew her here. ‘And what about Tim Winton?’ she said.
‘I can't stand
intra-uterine writers,’ Helen said, after considering this.
Elizabeth was
drunk enough to be insistent. ‘If you are not an apostate - in your own remarkable
idiom - what are ya then?’
He belched some
buffalo. Probably the best part of it, he thought. He smiled at this old woman.
‘And Olga's
dead,’ she sniffed, thinking of Sydney again.
‘Oh, let's not
get maudlin.’
‘Yes dear,’
Helen said, ‘come on and I'll help you find a taxi.’
‘Maudlin? At
least no-one mixes me up with Craig McGregor!’
Frank gasped.
‘And I can
sustain a narrative line.’ She glared at Helen too but decided to stop, she
wasn't on the strongest ground with that one.
‘At least I can
write about more than dykes,’ Frank said, wishing this place had tooth-picks.
‘Yeah,’ Helen
said. Who did she think she was?
‘The
parameters, to use your so very useful word, of my world - actual and
fictional, not that I distinguish any longer - stretch beyond one small aspect
of a single suburb,’ she glared at both of them again – ‘some idealised portion
of Australia au naturel,’ (her accent's
quite good, Helen noted) ‘and Barcelona,’ (Elizabeth, oh Elizabeth, say it
again) ‘in the thirties, and there, only the telephone exchange.’
They all smiled
at Jill and ignored him with her in their ways.
Frank dallied
towards the bar, the waiter. ‘Gees I'd like to put a silver bracelet on him,
wouldn't you?’ he said. ‘One with a lock.’
‘Where?’
Elizabeth asked.
Helen was
playing a Bach cello suite in her head. She hoped her daughter would put in the
full hour's practice tonight. She'd give her a ring before she started to get
ready for dinner and Selina's. She hoped the guy wasn't dead. Then she thought,
maybe it'd be better that way. She could always go by herself.